THE PERFORMANCE OF "THE CREATION."
A brilliant festival was to take place to-night in the large aula of the Vienna University. All the composers, musicians, dilettanti, and amateurs of Vienna, had joyously consented to participate in it. The most distinguished names of the aristocracy and the artistic circles of Vienna were at the head of the committee of arrangements. Among those names were those of the Princes Lichnowsky and Lichtenstein, the Countesses Kaunitz and Spielmann, of Beethoven and Salieri, Kreutzer and Clementi, and finally, those of the poets Collin and Carpani.
Every one wished to participate in this festival, which was to render homage to the veteran German composer, the great Joseph Haydn, on the occasion of the twenty-fifth performance of the maestro's great work, "The Creation." Ten years had elapsed since the first performance of "The Creation" at Vienna, and already the sublime composition had made the tour of Europe, and had been performed amid the most enthusiastic applause in London and Paris, in Amsterdam and St. Petersburg, in Berlin, and all the large and small cities of Germany. Everywhere it had excited transports of admiration; everywhere delighted audiences had greeted with rapturous enthusiasm this beautiful music, so full of holy ardor and childlike piety, this great work of the German composer, Joseph Haydn.
To-day the twenty-fifth performance of "The Creation" was to take place at Vienna, and Joseph Haydn himself was to be present at the concert. The committee of arrangements had invited him, and he had accepted the invitation. Although his seventy-seven years were resting heavily on his head, and had paralyzed his strength, be could not withstand the honorable request of his friends and admirers, and he had replied with a touching smile to the committee of arrangements, whose delegates had conveyed the invitation to him "I shall come to take leave of the world with my 'Creation,' and bid a last farewell to my dear Viennese. YOU will often yet sing my 'Creation,' but I shall hear it for the last time!""For the last time!" These were the words which had thrilled all the friends and admirers of the maestro, and filled them with the ardent desire to greet him once more, and render him homage for the last time. For all felt and knew that Haydn had spoken the truth, and that his end was drawing near. All, therefore, longed to take part in this last triumph of the composer of "The Creation," whom death had already touched with its inexorable finger.
Hence, there was a perfect jam in front of the university building;the equipages of the high nobility formed two immense lines down the long street; like a black, surging stream, rising from moment to moment, the part of the audience arriving on foot moved along the houses and between the double line of carriages toward the entrance of the building. Thousands had vainly applied for admission at the ticket-office; there was room only for fifteen hundred persons in the aula and the adjoining rooms, and perhaps as many thousands had come to hear the concert. As they could not be admitted into the hall, they remained in the street in front of the building; as they could not hear Haydn's music, they wished at least to see his face and cheer him on his arrival at the door.
But there was a surging crowd also in the festively-decorated university hall. All had come in their holiday attire, and joy and profound emotion beamed from all faces. Friends shook hands and greeted each other with radiant eyes; and even those who did not know each other exchanged kindly greetings and pleasant smiles on seating themselves side by side, and looked at each other as though they were friends and acquaintances, and not entire strangers.
For all felt the great importance of this hour; all felt themselves Germans, owing to the homage which they were to render to the German maestro and to German music; and all knew that this festival would be looked upon beyond the Rhine as a hostile demonstration of the Germans against French pride and arrogance. They wished to show to France that, although Germany was dismembered, the heart of the Germans throbbed for Germany and German art, and that they did not feel at all alarmed at the grandiloquent threats of the Emperor of the French, but yielded with undisturbed equanimity to the enjoyment of German art. While the threatening words of the Emperor Napoleon were resounding, like ringing war-fanfares, from Paris, the Viennese desired to respond to him by the beautiful notes of sublime music;and, regardless of the growls of the lion beyond the Rhine, they wished to delight in the soul-stirring harmonies of "The Creation."All preparations were now completed. The hall was all ablaze with the wax-lights which were beaming down from those gigantic lustres, and whose rays were reflected in the large mirrors covering the walls. The imperial box was splendidly festooned with rare flowers, and decorated with carpets and gilt candelabra, whose enormous wax-lights filled the interior of the spacious box with broad daylight.
Opposite the imperial box, on the other side of the hall, rose the large tribune destined for an orchestra of eighty performers and a choir of one hundred singers. All the latter, too, were in joyous spirits; all were animated to-day, not by the envy and jealousy so often to be found among artistes, but by the one great desire to contribute their share to the homage to be rendered to German art.
They did not wish to-day to exhibit themselves and their artistic skill, but desired only to render homage to the music of the great maestro, and to German art.
And now the hour was at hand when the concert was to commence. The audience had taken their seats, the orchestra ceased tuning their instruments, the singers were in readiness, and the committee of arrangements had gone down to the street-door to await Haydn's arrival.
