"Here you are at home," said Bianchon, laughing, as he pointed to the ministerial residence."And here is my carriage," he added, calling a hackney cab."And these--express our fortune.""You will be happy at the bottom of the sea, while I am still struggling with the tempests on the surface, till I sink and go to ask you for a corner in your grotto, old fellow!""Till Saturday," replied Bianchon.
"Agreed," said Rastignac."And you promise me Popinot?""I will do all my conscience will allow.Perhaps this appeal for a commission covers some little dramorama, to use a word of our good bad times.""Poor Bianchon! he will never be anything but a good fellow," said Rastignac to himself as the cab drove off.
"Rastignac has given me the most difficult negotiation in the world,"said Bianchon to himself, remembering, as he rose next morning, the delicate commission intrusted to him."However, I have never asked the smallest service from my uncle in Court, and have paid more than a thousand visits gratis for him.And, after all, we are not apt to mince matters between ourselves.He will say Yes or No, and there an end."After this little soliloquy the famous physician bent his steps, at seven in the morning, towards the Rue du Fouarre, where dwelt Monsieur Jean-Jules Popinot, judge of the Lower Court of the Department of the Seine.The Rue du Fouarre--an old word meaning straw--was in the thirteenth century the most important street in Paris.There stood the Schools of the University, where the voices of Abelard and of Gerson were heard in the world of learning.It is now one of the dirtiest streets of the Twelfth Arrondissement, the poorest quarter of Paris, that in which two-thirds of the population lack firing in winter, which leaves most brats at the gate of the Foundling Hospital, which sends most beggars to the poorhouse, most rag-pickers to the street corners, most decrepit old folks to bask against the walls on which the sun shines, most delinquents to the police courts.
Half-way down this street, which is always damp, and where the gutter carries to the Seine the blackened waters from some dye-works, there is an old house, restored no doubt under Francis I., and built of bricks held together by a few courses of masonry.That it is substantial seems proved by the shape of its front wall, not uncommonly seen in some parts of Paris.It bellies, so to speak, in a manner caused by the protuberance of its first floor, crushed under the weight of the second and third, but upheld by the strong wall of the ground floor.At first sight it would seem as though the piers between the windows, though strengthened by the stone mullions, must give way, but the observer presently perceives that, as in the tower at Bologna, the old bricks and old time-eaten stones of this house persistently preserve their centre of gravity.
At every season of the year the solid piers of the ground floor have the yellow tone and the imperceptible sweating surface that moisture gives to stone.The passer-by feels chilled as he walks close to this wall, where worn corner-stones ineffectually shelter him from the wheels of vehicles.As is always the case in houses built before carriages were in use, the vault of the doorway forms a very low archway not unlike the barbican of a prison.To the right of this entrance there are three windows, protected outside by iron gratings of so close a pattern, that the curious cannot possibly see the use made of the dark, damp rooms within, and the panes too are dirty and dusty; to the left are two similar windows, one of which is sometimes open, exposing to view the porter, his wife, and his children;swarming, working, cooking, eating, and screaming, in a floored and wainscoted room where everything is dropping to pieces, and into which you descend two steps--a depth which seems to suggest the gradual elevation of the soil of Paris.
If on a rainy day some foot-passenger takes refuge under the long vault, with projecting lime-washed beams, which leads from the door to the staircase, he will hardly fail to pause and look at the picture presented by the interior of this house.To the left is a square garden-plot, allowing of not more than four long steps in each direction, a garden of black soil, with trellises bereft of vines, and where, in default of vegetation under the shade of two trees, papers collect, old rags, potsherds, bits of mortar fallen from the roof; a barren ground, where time has shed on the walls, and on the trunks and branches of the trees, a powdery deposit like cold soot.The two parts of the house, set at a right angle, derive light from this garden-court shut in by two adjoining houses built on wooden piers, decrepit and ready to fall, where on each floor some grotesque evidence is to be seen of the craft pursued by some lodger within.Here long poles are hung with immense skeins of dyed worsted put out to dry; there, on ropes, dance clean-washed shirts; higher up, on a shelf, volumes display their freshly marbled edges; women sing, husbands whistle, children shout; the carpenter saws his planks, a copper-turner makes the metal screech; all kinds of industries combine to produce a noise which the number of instruments renders distracting.
The general system of decoration in this passage, which is neither courtyard, garden, nor vaulted way, though a little of all, consists of wooden pillars resting on square stone blocks, and forming arches.
