He dined alone and walked home to his rooms in the rain. As he turned into Fifth Avenue he caught the wet gleam of carriages on their way to the opera, and he took the first side street, in a moment of irritation against the petty restrictions that thwarted every impulse. It was ridiculous to give up the opera, not because one might possibly be bored there, but because one must pay for the experiment.
In his sitting-room, the tacit connivance of the inanimate had centred the lamp-light on a photograph of Alexa Trent, placed, in the obligatory silver frame, just where, as memory officiously reminded him, Margaret Aubyn's picture had long throned in its stead. Miss Trent's features cruelly justified the usurpation. She had the kind of beauty that comes of a happy accord of face and spirit. It is not given to many to have the lips and eyes of their rarest mood, and some women go through life behind a mask expressing only their anxiety about the butcher's bill or their inability to see a joke. With Miss Trent, face and mind had the same high serious contour. She looked like a throned Justice by some grave Florentine painter; and it seemed to Glennard that her most salient attribute, or that at least to which her conduct gave most consistent expression, was a kind of passionate justice--the intuitive feminine justness that is so much rarer than a reasoned impartiality. Circumstances had tragically combined to develop this instinct into a conscious habit. She had seen more than most girls of the shabby side of life, of the perpetual tendency of want to cramp the noblest attitude. Poverty and misfortune had overhung her childhood and she had none of the pretty delusions about life that are supposed to be the crowning grace of girlhood. This very competence, which gave her a touching reasonableness, made Glennard's situation more difficult than if he had aspired to a princess bred in the purple. Between them they asked so little-- they knew so well how to make that little do--but they understood also, and she especially did not for a moment let him forget, that without that little the future they dreamed of was impossible.
The sight of her photograph quickened Glennard's exasperation.Hewas sick and ashamed of the part he was playing. He had loved her now for two years, with the tranquil tenderness that gathers depth and volume as it nears fulfilment; he knew that she would wait for him--but the certitude was an added pang. There are times when the constancy of the woman one cannot marry is almost as trying as that of the woman one does not want to.
Glennard turned up his reading-lamp and stirred the fire. He had a long evening before him and he wanted to crowd out thought with action. He had brought some papers from his office and he spread them out on his table and squared himself to the task. . . .
It must have been an hour later that he found himself automatically fitting a key into a locked drawer. He had no more notion than a somnambulist of the mental process that had led up to this action. He was just dimly aware of having pushed aside the papers and the heavy calf volumes that a moment before had bounded his horizon, and of laying in their place, without a trace of conscious volition, the parcel he had taken from the drawer.
The letters were tied in packets of thirty or forty. There were a great many packets. On some of the envelopes the ink was fading; on others, which bore the English post-mark, it was still fresh. She had been dead hardly three years, and she had written, at lengthening intervals, to the last. . . .
He undid one of the earlier packets--little notes written during their first acquaintance at Hillbridge. Glennard, on leaving college, had begun life in his uncle's law office in the old university town. It was there that, at the house of her father, Professor Forth, he had first met the young lady then chiefly distinguished for having, after two years of a conspicuously unhappy marriage, returned to the protection of the paternal roof.
