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第15章 UP THE COULEE A STORY OF WISCONSIN(1)

"Keep the main-travelled road up the coulee-it's the second house after crossin' the crick."

THE ride from Milwaukee to the Mississippi is a fine ride at any time, superb in summer. To lean back in a reclining chair and whirl away in a breezy July day, past lakes, groves of oak, past fields of barley being reaped, past hayfields, where the heavy grass is toppling before the swift sickle, is a panorama of delight, a road full of delicious surprises, where down a sudden vista lakes open, or a distant wooded hill looms darkly blue, or swift streams, foaming deep down the solid rock, send whiffs of cool breezes in at the window.

It has majesty, breadth. The farming has nothing apparently petty about it. All seems vigorous, youthful, and prosperous. Mr. Howard McLane in his chair let his newspaper fall on his lap and gazed out upon it with dreaming eyes. It had a certain mysterious glamour to him; the lakes were cooler and brighter to his eye, the greens fresher, and the grain more golden than to anyone else, for he was coming back to it all after an absence of ten years. It was, besides, his West. He still took pride in being a Western man.

His mind all day flew ahead of the train to the little town far on toward the Mississippi, where he had spent his boyhood and youth.

As the train passed the Wisconsin River, with its curiously carved cliffs, its cold, dark, swift-swirling water eating slowly under cedar-clothed banks, Howard began to feel curious little movements of the heart, like a lover as he nears his sweetheart.

The hills changed in character, growing more intimately recognizable. They rose higher as the train left the ridge and passed down into the Black River valley, and specifically into the La Crosse valley. They ceased to have any hint of upheavals of rock, and became simply parts of the ancient level left standing after the water had practically given up its postglacial, scooping action.

It was about six o'clock as he caught sight of the dear broken line of hills on which his baby eyes had looked thirty-five years ago. A few minutes later and the train drew up at the grimy little station set in at the hillside, and, giving him just time to leap off, plunged on again toward the West. Howard felt a ridiculous weakness in his legs as he stepped out upon the broiling hot splintery planks of the station and faced the few idlers lounging about. He simply stood and gazed with the same intensity and absorption one of the idlers might show standing before the Brooklyn Bridge.

The town caught and held his eyes first. How poor and dull and sleepy and squalid it seemed! The one main street ended at the hillside at his left and stretched away to the north, between two rows of the usual village stores, unrelieved by a tree or a touch of beauty. An unpaved street, drab-colored, miserable, rotting wooden buildings, with the inevitable battlements-the same, only worse, was the town.

The same, only more beautiful still, was the majestic amphitheater of green wooded hills that circled the horizon, and toward which he lifted his eyes. He thrilled at the sight.

"Glorious!" he cried involuntarily.

Accustomed to the White Mountains, to the Allghenies, he had wondered if these hills would retain their old-time charm. They did. He took off his hat to them as he stood there. Richly wooded, with gently sloping green sides, rising to massive square or rounded tops with dim vistas, they glowed down upon the squalid town, gracious, lofty in their greeting, immortal in their vivid and delicate beauty.

He was a goodly figure of a man as he stood there beside his valise. Portly, erect, handsomely dressed, and with something unusually winning in his brown mustache and blue eyes, something scholarly suggested by the pinch-nose glasses, something strong in the repose of the head. He smiled as he saw how unchanged was the grouping of the old loafers on the salt barrels and nail kegs. He recognized most of them-a little dirtier, a little more bent, and a little grayer.

They sat in the same attitudes, spat tobacco with the same calm delight, and joked each other, breaking into short and sudden fits of laughter, and pounded each other on the back, just as when he was a student at the La Crosse Seminary and going to and fro daily on the train.

They ruminated on him as he passed, speculating in a perfectly audible way upon his business.

"Looks like a drummer."

"No, he ain't no drummer. See them Boston glasses?"

"That's so. Guess he's a teacher."

"Looks like a moneyed cuss."

"Bos'n, I guess."

He knew the one who spoke last-Freeme Cole, a man who was the fighting wonder of Howard's boyhood, now degenerated into a stoop-shouldered, faded, garrulous, and quarrelsome old man. Yet there was something epic in the old man's stories, something enthralling in the dramatic power of recital.

Over by the blacksmith shop the usual game of quaits" was in progress, and the drug clerk on the corner was chasing a crony with the squirt pump, with which he was about to wash the windows. A few teams stood ankle-deep in the mud, tied to the fantastically gnawed pine pillars of the wooden awnings. A man on a load of hay was "jawing" with the attendant of the platform scales, who stood below, pad and pencil in hand.

"Hit 'im! hit 'im! Jump off and knock 'im!" suggested a bystander, jovially.

Howard knew the voice.

"Talk's cheap. Takes money t' buy whiskey," he said when the man on the load repeated his threat of getting off and whipping the scalesman.

"You're William McTurg," Howard said, coming up to him.

"I am, sir," replied the soft-voiced giant turning and looking down on the stranger with an amused twinkle in his deep brown eyes. He stood as erect as an Indian, though his hair and beard were white.

"I'm Howard McLane."

"Ye begin t' look it," said McTurg, removing his right hand from his pocket. "How are yeh?"

"I'm first-rate. How's Mother and Grant?"

"Saw 'im plowing corn as I came down. Guess he's all right. Want a boost?"

"Well, yes. Are you down with a team?"

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