登陆注册
14926100000057

第57章

You have only three things to do," says one of them to a debutant, "speak well of everybody, ask for every vacancy, and sit down when you can."Hence, the king always has a crowd around him. The Comtesse du Barry says, on presenting her niece at court, the first of August, 1773, "the crowd is so great at a presentation, one can scarcely get through the antechambers."[34] In December, 1774, at Fontainebleau, when the queen plays at her own table every evening, "the apartment, though vast, is never empty. . . . The crowd is so great that one can talk only to the two or three persons with whom one is playing." The fourteen apartments, at the receptions of ambassadors are full to overflowing with seigniors and richly dressed women. On the first of January, 1775, the queen "counted over two hundred ladies presented to her to pay their court. " In 1780, at Choisy, a table for thirty persons is spread every day for the king, another with thirty places for the seigniors, another with forty places for the officers of the guard and the equerries, and one with fifty for the officers of the bedchamber. According to my estimate, the king, on getting up and on retiring, on his walks, on his hunts, at play, has always around him at least forty or fifty seigniors and generally a hundred, with as many ladies, besides his attendants on duty. At Fontainebleau, in 1756, although "there were neither fêtes nor ballets this year, one hundred and six ladies were counted." When the king holds a "grand apartement," when play or dancing takes place in the gallery of mirrors, four or five hundred guests, the elect of the nobles and of the fashion, range themselves on the benches or gather around the card and cavanole tables.[35] This is a spectacle to be seen, not by the imagination, or through imperfect records, but with our own eyes and on the spot, to comprehend the spirit, the effect and the triumph of monarchical culture. In an elegantly furnished house, the drawing room is the principal room; and never was one more dazzling than this.

Suspended from the sculptured ceiling peopled with sporting cupids, descend, by garlands of flowers and foliage, blazing chandeliers, whose splendor is enhanced by the tail mirrors; the light streams down in floods on gilding, diamonds, and beaming, arch physiognomies, on fine busts, and on the capacious, sparkling and garlanded dresses. The skirts of the ladies ranged in a circle, or in tiers on the benches, "form a rich espalier covered with pearls, gold, silver, jewels, spangles, flowers and fruits, with their artificial blossoms, gooseberries, cherries, and strawberries," a gigantic animated bouquet of which the eye can scarcely support the brilliancy. There are no black coats, as nowadays, to disturb the harmony. With the hair powdered and dressed, with buckles and knots, with cravats and ruffles of lace, in silk coats and vests of the hues of fallen leaves, or of a delicate rose tint, or of celestial blue, embellished with gold braid and embroidery, the men are as elegant as the women. Men and women, each is a selection; they all are of the accomplished class, gifted with every grace which good blood, education, fortune, leisure and custom can bestow; they are perfect of their kind. There is no toilet, no carriage of the head, no tone of the voice, no expression in language which is not a masterpiece of worldly culture, the distilled quintessence of all that is exquisitely elaborated by social art.

Polished as the high society of Paris may be, it does not approach this;[36] compared with the court, it seems provincial. It is said that a hundred thousand roses are required to make an ounce of the unique perfume used by Persian kings; such is this drawing-room, the frail vial of crystal and gold containing the substance of a human vegetation. To fill it, a great aristocracy had to be transplanted to a hot-house and become sterile in fruit and flowers, and then, in the royal alembic, its pure sap is concentrated into a few drops of aroma.

The price is excessive, but only at this price can the most delicate perfumes be manufactured.

IV. EVERYDAY LIFE IN COURT.

The king's occupations. - Rising in the morning, mass, dinner, walks, hunting, supper, play, evening receptions. - He is always on parade and in company.

同类推荐
  • 宋季三朝政要

    宋季三朝政要

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • DON QUIXOTE

    DON QUIXOTE

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 卫公兵法辑本

    卫公兵法辑本

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 夜宴洛阳程九主簿宅

    夜宴洛阳程九主簿宅

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 法军侵台档案

    法军侵台档案

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 我的眼睛可以看见鬼

    我的眼睛可以看见鬼

    八岁那年,一次意外,濒临死亡,当脱离危险之际,却获得可以看见鬼的双眼。
  • 惊世邪尊

    惊世邪尊

    做不成安静的美男子,我只能做万众瞩目的盖世英雄!谁说修炼一定要寂寞清苦,孤独一生?我偏要美人相伴,热热闹闹,还比你修的快!
  • 末世之血色城堡

    末世之血色城堡

    2012年12月12日12时一个被后人称为末世的时代降临了。李峰带着末世十八年的记忆重生了,为了让曾经的悲剧不再重演,为了自己的亲戚朋友们不再沦为魔兽的食物。从一个卑微的生灵,建立了世界上最大的血色城堡。
  • 火澜

    火澜

    当一个现代杀手之王穿越到这个世界。是隐匿,还是崛起。一场血雨腥风的传奇被她改写。一条无上的强者之路被她踏破。修斗气,炼元丹,收兽宠,化神器,大闹皇宫,炸毁学院,打死院长,秒杀狗男女,震惊大陆。无止尽的契约能力,上古神兽,千年魔兽,纷纷前来抱大腿,惊傻世人。她说:在我眼里没有好坏之分,只有强弱之分,只要你能打败我,这世间所有都是你的,打不败我,就从这世间永远消失。她狂,她傲,她的目标只有一个,就是凌驾这世间一切之上。三国皇帝,魔界妖王,冥界之主,仙界至尊。到底谁才是陪着她走到最后的那个?他说:上天入地,我会陪着你,你活着,有我,你死,也一定有我。本文一对一,男强女强,强强联手,不喜勿入。
  • 人间地仙界

    人间地仙界

    人间地仙界浩繁穹苍,灵幻仙家洞天福地有皑雪艳春煞暖,迎万丈红霞,风尘漫漫波涛走马架鹰,貂裘熠熠,正是那人间最悠游岁月矮松沐雪,老藤新花,践仙山而叩玄华三尺青锋横腰际,一身黑甲皆楚痕,百年家国终泡影,千载深山我笃行。
  • 灌篮高手之梦想

    灌篮高手之梦想

    重温儿时的经典动漫,灌篮高手,一起进入梦想的天地!
  • 幽冥纪元

    幽冥纪元

    乱世之初,生灵涂炭,无数人的命运却系于一神秘少年之手。“天命此道终坎坷,我以我血荐轩辕”,且看神秘少年如何翻云覆雨,在幽冥大陆上书写自己的辉煌篇章!一切,尽在幽冥纪元!
  • 天之帝女:绝色邪王宠妻无度

    天之帝女:绝色邪王宠妻无度

    她,惊才艳艳,腹黑狡诈,冷酷绝色,是21世纪的王牌杀手。他,冷家的二公子,实为女子,是以天才。却不料,一次暗杀,经脉尽断,至此天才陨落,,废物、贱人、傻子一个个辱骂之名接重而来,最终消殒。一朝穿越,当她变成他,又将掀起怎样的风云?涅槃重生,踏上强者之路!魔法、元素、斗气,只能得一?不好意思,她全都要!灵兽、神兽、丹药很珍贵?不好意思,她多得是。强大的身份背景?不好意思,她身份成谜,但绝对不弱!问她强者路上孤不孤独:不孤独,因为她有他……黄泉碧落,与君随!
  • 未来之争:热烈追踪

    未来之争:热烈追踪

    星际海盗范亭一因为一个小过错惹上卞雨晨这个大麻烦。他们在地球展开了一场猫与老鼠的追捕。同时,此故事更是未来之争重要人物范亭一的前传。
  • 极品校花驾到

    极品校花驾到

    孤单的林菲儿,进入圣利学院去找到了自己终身的幸福。孤冷的安以呈,随着林菲儿的到来找到了儿时的温暖。温柔美丽的她碰见冰冷帅气的他擦出了另身边的人都羡慕的甜蜜的火花。敬请期待。