The chateau of Francois I. was, in those days, terminated by an enormous unfinished tower which was intended to mark the colossal angle of the building when the succeeding wing was built. Later, Gaston took down one side of it, in order to build his palace on to it; but he never finished the work, and the tower remained in ruins.
This royal stronghold served as a prison or dungeon, according to popular tradition.
As we wander to-day through the halls of this matchless chateau, so precious to art and to history, what poet would not be haunted by regrets, and grieved for France, at seeing the arabesques of Catherine's boudoir /whitewashed/ and almost obliterated, by order of the quartermaster of the barracks (this royal residence is now a barrack) at the time of an outbreak of cholera. The panels of Catherine's boudoir, a room of which we are about to speak, is the last remaining relic of the rich decorations accumulated by five artistic kings. Making our way through the labyrinth of chambers, halls, stairways, towers, we may say to ourselves with solemn certitude: "Here Mary Stuart cajoled her husband on behalf of the Guises." "There, the Guises insulted Catherine." "Later, at that very spot the second Balafre fell beneath the daggers of the avengers of the Crown." "A century earlier, from this very window, Louis XII. made signs to his friend Cardinal d'Amboise to come to him." "Here, on this balcony, d'Epernon, the accomplice of Ravaillac, met Marie de' Medici, who knew, it was said, of the proposed regicide, and allowed it to be committed."In the chapel, where the marriage of Henri IV. and Marguerite de Valois took place, the sole remaining fragment of the chateau of the counts of Blois, a regiment now makes it shoes. This wonderful structure, in which so many styles may still be seen, so many great deeds have been performed, is in a state of dilapidation which disgraces France. What grief for those who love the great historic monuments of our country to know that soon those eloquent stones will be lost to sight and knowledge, like others at the corner of the rue de la Vieille-Pelleterie; possibly, they will exist nowhere but in these pages.
It is necessary to remark that, in order to watch the royal court more closely, the Guises, although they had a house of their own in the town, which still exists, had obtained permission to occupy the upper floor above the apartments of Louis XII., the same lodgings afterwards occupied by the Duchesse de Nemours under the roof.
The young king, Francois II., and his bride Mary Stuart, in love with each other like the girl and boy of sixteen which they were, had been abruptly transferred, in the depth of winter, from the chateau de Saint-Germain, which the Duc de Guise thought liable to attack, to the fortress which the chateau of Blois then was, being isolated and protected on three sides by precipices, and admirably defended as to its entrance. The Guises, uncles of Mary Stuart, had powerful reasons for not residing in Paris and for keeping the king and court in a castle the whole exterior surroundings of which could easily be watched and defended. A struggle was now beginning around the throne, between the house of Lorraine and the house of Valois, which was destined to end in this very chateau, twenty-eight years later, namely in 1588, when Henri III., under the very eyes of his mother, at that moment deeply humiliated by the Lorrains, heard fall upon the floor of his own cabinet, the head of the boldest of all the Guises, the second Balafre, son of that first Balafre by whom Catherine de' Medici was now being tricked, watched, threatened, and virtually imprisoned.
